Articles

  • Eutopia

    Annie Vought

    Oct 2, 2017

  • Square Cylinder

    Detritus @ San Jose Institute of Contemporary Art

    August 12, 2017

  • Boca Magazine

    Cornell's latest exhibition gets the word out

    December 10, 2014

  • MDBY

    Annie Vought

    April 7, 2014

  • Design & Paper

    Annie Vought's Incredible Cut-Out Paper Art

    May 27, 2013

  • Inhabitat

    Annie Vought’s Lace-Like Paper Art Works Highlight the Intricacies of the Written Word

    September 11, 2012

  • The Experts Agree

    Annie Vought

    June 28th, 2012

  • Burnaway

    Ready for My Close-up at Hagedorn Foundation Gallery

    2013

  • Liz Rice McCray

    Annie Vought, Interview

  • LA Times

    Art review: Annie Vought at New Image Art

    July 22, 2011

  • SFGATE

    Helen Levitt, Leo Rubinfien review: Photographs

    April 15, 2011

  • LA Times

    Art review: ‘Palimpsests’ at Tarryn Teresa Gallery

    October 9, 2009

Annie Vought: opened and split

February 7 – April 11, 2026

by Steuart Pittman

Traywick Contemporary, in a special collaboration with Pacific Saw Works, is pleased to present opened and split, an exhibition of new work by Santa Fe-based artist Annie Vought. This solo exhibition of large-format works marks a significant return to the Bay Area, where the artist first developed her signature cut-paper reliefs.

Vought’s latest compositions are mesmerizing, immersive experiences that command attention both in their minute detail and their expansive presence. The labor-intensive and rigorous process behind these works involves thousands of handmade cuts into heavily worked and collaged paper to create a delicate, lace-like topography that challenges the viewer’s perception of depth and space.

While using predominantly black materials such as oil stick and graphite, the pieces are punctuated by surprising moments of color and reflective surface texture. Vought masterfully integrates pastel, sequins, glitter, and spray paint, transforming the constructed objects through a painterly, tactile approach to material. This evolution in her practice allows for a complex interplay between the graphic power of the cut-outs and the shimmering, layered surfaces.

The architecture of each piece is as calculated as it is poetic. Vought utilizes a sophisticated grid system, reminiscent of an aerial view of a town, to engineer an internal support structure for the intricate cut-work. This built-in structure allows the large-scale collages to maintain their form while appearing weightless. Within this physical structure, Vought creates a detailed narrative with embedded images such as hands, faces, eyes, houses, and canines, within a self-described “collected chaos.”

“The work is a lens for feeling overwhelmed from looking at everything in our current time,” Vought explains. “Embedded within these compositions are references to mythological and iconic maternal figures—Demeter, the Virgin of Guadalupe, Thetis—whose stories hold protection alongside rupture, grief, and transformation. A contradiction runs through the work: the simultaneous acts of protecting and harming, of holding while cracking.”

Annie Vought lives and works in Santa Fe, NM. Her work has been shown throughout the Bay Area in numerous solo exhibitions, permanent public installations, and group exhibitions. Her work has also been exhibited in Italy, the Netherlands, New York, Los Angeles, and Miami, and is held in numerous important collections. Recognition and awards include the Herringer Family Foundation, the Murphy and Cadogan Award, and an Irvine Fellowship at Montalvo Arts Center. She received her MFA from Mills College in 2009.

This exhibition marks the debut collaboration between Traywick Contemporary and Pacific Saw Works, a curatorial project by Traywick gallery artist Steuart Pittman. Established in 2023, the program offers a platform for contemporary painters with rotating solo exhibitions.